List of paintings by J. M. W. Turner
Paintings by English artist William Turner
![](http://upload.wikimedia.org/wikipedia/commons/thumb/9/9f/Joseph_Mallord_William_Turner_auto-retrato.jpg/220px-Joseph_Mallord_William_Turner_auto-retrato.jpg)
This is an incomplete list of the oil paintings of J. M. W. Turner (23 April 1775 – 19 December 1851),[1] a master noted for his skill in the portrayal of light, and in the painting of maritime scenes.[2]
Timeline
- 1787–1801 Student
- 1802–1818 Academician
- 1819–1835 Extensive wanderer
- 1836–1851 Modernism
Paintings by Turner
This list includes paintings attributed to Turner.
In substitute of specific knowledge on the date of a painting's creation (in cases where this is not known), the year of exhibition has been put, is it would likely correlate.
1787–1801 Student
Image | Title | Year | Location | Dimensions (cm.) | Comments |
---|---|---|---|---|---|
![]() | Landscape with Windmill and Rainbow (partly after Gainsborough) | 1795–1800 | Tate Britain, London | 70.5 x 90.2 | The Painting is attributed to Turner. It is highly likely to be a Turner work, and part of the Turner Bequest also.[3] |
![]() | Interior of a Romanesque Church | c.1795–1800 | Tate Britain, London | 61 x 50.2 | |
![]() | Fishermen at Sea | 1796 | Tate Britain, London | 91.4 × 122.2 | |
![]() | Diana and Callisto (after Wilson) | 1796 | Tate Britain, London | 56.5 x 91.4 | |
![]() | Interior of a Gothic Church | 1797 | Tate Britain, London | 27.9 × 40.6 | |
![]() | Moonlight, a Study at Millbank | 1797 | Tate Britain, London | 31.5 × 40.5 | |
![]() | Limekiln at Coalbrookdale | 1797 | Yale Center for British Art, Connecticut | 28.9 x 40.3 | |
Beech Trees at Norbury Park | c. 1797 | National Gallery of Ireland, Dublin | 44 x 43.1 | Turner was invited to Norbury Park in Surrey by the owner William Lock in 1797. The painting was bequeathed to the gallery in 1900 by Henry Vaughan.[4][5] | |
![]() | Aeneas and the Sibyl, Lake Avernus | 1798 | Tate Britain, London | 76.5 × 98.4 | |
![]() | Caernarvon Castle | 1798 | Tate Britain, London | 15.2 × 23.2 | |
![]() | Shipping by a Breakwater | 1798 | Tate Britain, London | 30.2 x 19.4 | |
![]() | View of a Town | 1798 | Tate Britain, London | 24.1 x 32.4 | |
![]() | Buttermere Lake, with Part of Cromackwater, Cumberland, a Shower | 1798 | Tate Britain, London | 88.9 × 119.4 | |
![]() | Dunstanburgh Castle, north-east coast of Northumberland, sunrise after a squally night | 1798 | National Gallery of Victoria, Melbourne | 92.2 × 123.2 | |
![]() | Tivoli and the Roman Campagna (after Wilson) | 1798 | Tate Britain, London | 72.4 × 96.5 | |
![]() | Morning amongst the Coniston Fells, Cumberland | 1798 | Tate Britain, London | 122.9 × 89.9 | |
![]() | Kilgarren Castle, Pembrokeshire | 1798-1799 | Cragside, Rothbury | 89 x 19.7 | |
![]() | Self-Portrait | 1799 | Tate Britain, London | 74.3 x 58.4 | |
![]() | Harlech Castle, from Tygwyn Ferry, Summer's Evening Twilig | 1799 | Yale Center for British Art, Connecticut | 87 x 119.4 | |
![]() | View in Wales: Mountain Scene with Village and Castle - Evening | 1799-1800 | Tate Britain, London | 58.1 x 72.7 | |
![]() | A Beech Wood with Gypsies Seated in the Distance | 1799-1801 | Fitzwilliam Museum, Cambridge | 27 x 19 | |
![]() | A Beech Wood with Gypsies round a Campfire | 1799-1801 | Fitzwilliam Museum, Cambridge | 27 x 19 | |
![]() | View on Clapham Common | 1800-1805 | Tate Britain, London | 32.1 x 44.5 | |
![]() | Welsh Mountain Landscape | 1799-1800 | Fitzwilliam Museum, Cambridge | 64.1 x 98.8 | |
![]() | Dolbadarn Castle | 1799–1800 | The National Library of Wales, Aberystwyth | 45.5 x 30 | |
![]() | Landscape with Lake and Fallen Tree | 1800 | Tate Britain, London | 39.1 × 60.6 | |
![]() | Dolbadern Castle | 1800 | The Royal Academy, London | 119.4 x 90.2 | |
![]() | The Fifth Plague of Egypt | 1800 | Indianapolis Museum of Art, Indianapolis | 120 × 180 | |
![]() | Dutch Boats in a Gale | 1801 | National Gallery, London on long term loan from The Capricorn Foundation | 162.5 × 221 |
1802–1818 Academician
Image | Title | Year | Location | Dimensions (cm.) | Comments |
---|---|---|---|---|---|
![]() | Jason | 1802 | Tate Britain, London | 90.2 x 119.7 | |
![]() | Fishermen upon a Lee Shore in Squally Weather | 1802 | Southampton Art Gallery | 91.5 x 122 | |
![]() | The Tenth Plague of Egypt | 1802 | Tate Britain, London | 143.5 x 236.2 | |
![]() | Grenoble Seen from the River Drac with Mont Blanc in the Distance | 1802 | Tate Britain, London | 36.2 x 64.1 | |
![]() | Ships Bearing up for Anchorage ('The Egremont Seapiece') | 1802 | Tate Britain, London | 112 x 18 | |
![]() | Mountain Scene with Castle, Probably Martigny | 1802-1803 | Tate Britain, London | 43.8 x 54 | |
![]() | Tummel Bridge, Perthshire | 1802-1803 | Yale Center for British Art, Connecticut | 28.9 x 46.7 | |
![]() | Chateaux de St Michael, Bonneville, Savoy | 1802-1803 | Yale Center for British Art, Connecticut | 91.4 x 121.9 | |
![]() | Bonneville, Savoy | 1803 | Dallas Museum of Art, Dallas | 92.71 × 122.56 | |
![]() | A Coast Scene with Fishermen Hauling a Boat Ashore | 1803-1804 | Kenwood House, London | 91.8 x 122.5 | |
![]() | The Festival of the Opening of the Vintage at Mâcon, France | 1803 | Museums Sheffield | 182.5 x 274.4 | |
![]() | Holy Family | 1803 | Tate Britain, London | 102.2 x 141.6 cm | |
![]() | Calais Pier, with French Poissards preparing for Sea: an English Packet arriving | 1803 | National Gallery, London | 172 x 240 | |
![]() | Fishing Boats Entering Calais Harbor | 1803 | Frick Collection, New York City | 73.7 x 98.4 | |
![]() | The Pass of Saint Gotthard, Switzerland | 1803–1804 | Birmingham Museums Trust | 80.6 x 64.2 | |
![]() | Narcissus and Echo | 1804 | Tate Britain, London | 86.5 x 117 | |
![]() | Boats Carrying Out Anchors to the Dutch Men of War | c.1804 | National Gallery of Art, Washington, D.C. | 101.6 × 130.81 | |
![]() | The Shipwreck | 1805 | Tate Britain, London | 170.5 x 241.6 | |
![]() | Cattle in a Stream under a Bridge | 1805-1807 | Tate Britain, London | 31.4 x 39.4 | |
![]() | Guildford from the Banks of the Wey | 1805 | Tate Britain, London | 25.4 x 19.7 | |
![]() | Cows in a Landscape with a Footbridge | 1805-1807 | Tate Britain, London | 47.9 x 71.1 | |
![]() | The Thames at Weybridge | 1805-1806 | Tate Britain, London | 90.5 x 121.7 | |
![]() | The Hero of a Hundred Fights | 1800- 1810 | Tate Britain, London | 90.8 x 121.3 | Reworked and exhibited in 1847. It depicts a bronze statue of Wellington being removed from its mould. |
![]() | Windsor Castle from the Thames | 1805 | Tate Britain, London | 91 x 122 | |
![]() | Venus and the Dead Adonis | 1805? | Tate Britain, London | 31.8 x 45.1 | |
![]() | The Deluge | 1805 | Tate Britain, London | 142.9 x 235.6 | |
![]() | Windsor Castle from the Meadows | 1805 | Tate Britain, London | 22.2 x 55.6 | |
![]() | Sunset on the River | 1805 | Tate Britain, London | 15.6 x 18.7 | |
![]() | The Destruction of Sodom | 1805 | Tate Britain, London | 146 x 237.5 | |
![]() | Walton Reach | 1805 | Tate Britain, London | 36.8 x 73.7 | |
![]() | Windsor from Lower Hope | 1805 | Tate Britain, London | 32.1 x 73.7 | |
![]() | Godalming from the South | 1805 | Tate Britain, London | 20.3 x 34.9 | |
![]() | A Thames Backwater with Windsor Castle in the Distance | 1805 | Tate Britain, London | 86.7 x 121 | |
![]() | Willows beside a Stream | 1805 | Tate Britain, London | 86 x 116.2 | |
![]() | Fall of the Rhine at Schaffhausen | c.1805-06 | Museum of Fine Arts, Boston | 148.6 x 239.7 | |
![]() | The ‘Victory’ Returning from Trafalgar, in Three Positions | 1806 | Yale Center for British Art, Connecticut | 67 x 100.3 | |
![]() | The Goddess of Discord Choosing the Apple of Contention in the Garden of the Hesperides | 1806 | Tate Britain, London | 155.3 x 218.4 | |
![]() | Abingdon | 1806? | Tate Britain, London | 01.6 x 130.2 | |
![]() | Walton bridges | c.1806 | National Gallery of Victoria, Melbourne | 91.2 × 122. | |
![]() | Sun rising through Vapour: Fishermen cleaning and selling Fish | pre 1807 | National Gallery, London | 134 x 179.5 | |
![]() | Barge on the River, Sunset | 1806-1807 | Tate Britain, London | 85.1 x 116.2 | |
![]() | Margate | 1806-1807 | Tate Britain, London | 85.7 x 116.2 | |
![]() | Men with Horses Crossing a River | 1806-1807 | Tate Britain, London | 87.9 x 118.4 | |
![]() | The Thames Glimpsed between Trees, possibly at Kew Bridge | 1806-1807 | Tate Britain, London | 91.1 x 121.6 | |
![]() | Weir and Cattle | 1806-1807 | Tate Britain, London | 88.3 x 120 | |
![]() | Washing Sheep | 1806-1807 | Tate Britain, London | 84.5 x 116.5 | |
![]() | Sketch for 'Harvest Dinner, Kingston Bank' | 1806-1807 | Tate Britain, London | 61 x 91.4 | |
![]() | Shipping at the Mouth of the Thames | 1806-1807 | Tate Britain, London | 85.7 x 116.8 | |
![]() | Coast Scene with Fishermen and Boats | 1806-1807 | Tate Britain, London | 85.7 x 116.2 | |
![]() | Caversham Bridge with Cattle in the Water | 1806-1807 | Tate Britain, London | 85.4 x 115.8 | |
![]() | Goring Mill and Church | 1806-1807 | Tate Britain, London | 85.7 x 116.2 | |
![]() | River Scene with Weir in Middle Distance | 1806-1807 | Tate Britain, London | 85.4 x 115.6 | |
![]() | Hampton Court from the Thames | 1806-1807 | Tate Britain, London | 85.7 x 120 | |
![]() | Trees beside the River, with Bridge in the Middle Distance | 1806-1807 | Tate Britain, London | 87.9 x 120.6 | |
![]() | House beside the River, with Trees and Sheep | 1806-1807 | Tate Britain, London | 90.5 x 116.5 | |
![]() | Newark Abbey | 1806-1807 | Yale Center for British Art, Connecticut | 91.4 x 123.2 | |
![]() | Gipsy Camp | 1807 | Tate Britain, London | 121.9 x 91.4 | |
![]() | Cassiobury Park: Reaping | 1807 | Tate Britain, London | 90.2 x 121.9 | |
![]() | Newark Abbey | 1807 | Tate Britain, London | 29.5 x 35.2 | |
![]() | An Artists' Colourman's Workshop | 1807 | Tate Britain, London | 62.2 x 91.4 | |
![]() | St Catherine's Hill, Guildford | 1807 | Tate Britain, London | 36.5 x 73.7 | |
![]() | Linlithgow Palace | 1807 | Walker Art Gallery, Liverpool | 92 x 122.5 | |
![]() | The Thames near Windsor | 1807 | Tate Britain, London | 18.7 x 26 | |
![]() | The Junction of the Thames and the Medway | 1807 | National Gallery of Art, Washington, D.C. | 108.8 x 143.7 | |
![]() | A Narrow Valley | 1807 | Tate Britain, London | 20.6 x 16.5 | |
![]() | Newark Abbey on the Wey | 1807 | Tate Britain, London | 36.8 x 73.7 | |
![]() | Windsor Castle from Salt Hill | 1807 | Tate Britain, London | 27.6 x 73.7 | |
![]() | On the Thames (?) | 1807 | Tate Britain, London | 29.8 x 34.9 | |
![]() | Windsor Castle from the River | 1807 | Tate Britain, London | 20 x 36.8 | |
![]() | The Battle of Trafalgar, as Seen from the Mizen Starboard Shrouds of the Victory | 1806-1808 | Tate Britain, London | 170.8 x 238.8 | |
![]() | Spithead: Two Captured Danish Ships Entering Portsmouth Harbour | 1807-1809 | Tate Britain, London | 171.4 x 233.7 | |
![]() | Eton, from the River | 1807? | Tate Britain, London | 35.6 x 66 | |
![]() | Tree Tops and Sky, Guildford Castle(?), Evening | 1807? | Tate Britain, London | 27.6 x 73.7 | |
![]() | Cliveden on Thames | 1807? | Tate Britain, London | 28.4 x 58.4 | |
![]() | A Country Blacksmith Disputing upon the Price of Iron, and the Price Charged to the Butcher for Shoeing his Poney | 1807? | Tate Britain, London | 54.9 x 77.8 | |
![]() | The Thames near Windsor | 1807? | Tate Britain, London | 89 x 119.5 | |
The Raft | 1807 | Tate Britain, London | 41 x 59 | ||
![]() | The Thames at Eton | 1808 | Tate Britain, London | 60.5 x 90.5 | |
![]() | Margate | 1808 | Tate Britain, London | 90 x 120.5 | |
![]() | The Forest of Bere | 1808 | Tate Britain, London | 89 x 119.5 | |
![]() | Tabley, Cheshire, the Seat of Sir J. F. Leicester, Bt: Windy Day | 1808 | Tabley House, Knutsford | 91.5 x W 120.6 | |
![]() | View of Richmond Hill and Bridge | 1808 | Tate Britain, London | 91.4 x 121.9 | |
![]() | A Subject from the Runic Superstitions ... | 1808 | Tate Britain, London | 92.1 x 121.9 | |
![]() | Union of the Thames and Isis ('Dorchester Mead, Oxfordshire') | 1808 | Tate Britain, London | 90.8 x 121.3 | |
![]() | The Confluence of the Thames and the Medway | 1808 | Tate Britain, London | 91 x 12 | |
![]() | Near the Thames' Lock, Windsor | 1809 | Tate Britain, London | 89 x 118 c | |
![]() | Harvest Home | 1809 | Tate Britain, London | 90.5 x 120.3 c | |
![]() | The Sun Setting through Vapour | 1809 | Barber Institute, Birmingham | 69.2 x 101.6 c | |
![]() | The Trout Stream | 1809 | Taft Museum of Art, Cincinnati | ||
![]() | Tabley, Cheshire, the Seat of Sir J. F. Leicester, Bart.: Calm Morning | 1809 | Tate Britain, London | 91 x 121.5 | |
![]() | Ploughing Up Turnips, near Slough ('Windsor') | 1809 | Tate Britain, London | 101.9 x 130.2 | |
![]() | Sketch of a Bank, with Gipsies | 1809 | Tate Britain, London | 61.3 x 83.8 | |
![]() | London from Greenwich Park | 1809 | Tate Britain, London | 90.2 x 120 c | |
![]() | Thomson's Aeolian Harp | 1809 | Manchester Art Gallery | 166.7 x 306 | |
![]() | Fishing upon the Blythe-Sand, Tide Setting In | 1809 | Tate Britain, London | 88.9 x 119.4 | |
![]() | View of the High Street, Oxford | 1809-1810 | Ashmolean Museum, Oxford | 68.6 x 99.7 | Commissioned by James Wyatt |
![]() | Harvest Dinner, Kingston Bank | 1809 | Tate Britain, London | 90.2 x 121 | |
![]() | The Quiet Ruin, Cattle in Water; A Sketch, Evening | 1809 | Tate Britain, London | 61.2 x 76.5 | |
![]() | The Garreteer's Petition | 1809 | Tate Britain, London | 55.2 x 79.1 | |
![]() | River Scene with Cattle | 1810 | Tate Britain, London | 128.3 x 174 | |
![]() | The Fall of an Avalanche in the Grisons | 1810 | Tate Britain, London | H 90.2 x 120 | |
![]() | Petworth, Sussex, the Seat of the Earl of Egremont: Dewy Morning | 1810 | Tate Britain, London | 91.5 x 120.5 | |
![]() | Cockermouth Castle | 1810 | Tate Britain, London | 60.5 x 90 c | |
![]() | Apollo and Python | 1811 | Tate Britain, London | 145.4 x 237.5 | |
![]() | Somer Hill, Tonbridge | 1811 | National Galleries of Scotland | 92 x 122 c | |
![]() | St Mawes at the Pilchard Season | 1812 | Tate Britain, London | 91.1 x 120.6 | |
![]() | Snow Storm: Hannibal and his Army Crossing the Alps | 1812 | Tate Britain, London | 146 × 237.5 | |
![]() | Hulks on the Tamar | 1812 | Tate Britain, London | 89.2 x 120.2 | |
![]() | Teignmouth | 1812 | Tate Britain, London | 90 x 120.5 | |
![]() | Frosty Morning | 1813 | Tate Britain, London | 113.7 x 174.6 | |
![]() | Apullia in Search of Appullus | 1814 | Tate Britain, London | 148.5 x 241 | |
![]() | Dido and Aeneas | 1814 | Tate Britain, London | 146 x 237. | |
![]() | Lake Avernus: Aeneas and the Cumaean Sibyl | 1814- 15 | Yale Center for British Art, Connecticut | 71.8 x 97.2 | |
![]() | Crossing the Brook | 1815 | Tate Britain, London | 193 x 165.1 | |
![]() | Dido building Carthage, or The Rise of the Carthaginian Empire | 1815 | National Gallery, London | 155.5 x 230 | |
![]() | The Eruption of the Soufrière Mountains in the Island of St Vincent, 30 April 1812 | 1815 | Victoria Gallery, Liverpool | 79 x 105 | |
![]() | The Decline of the Carthaginian Empire ... | 1817 | Tate Britain, London | 170.2 x 238.8 | |
![]() | The Field of Waterloo | 1818 | Tate Britain, London | 147.3 x 238.8 | |
![]() | The Dort | 1818 | Yale Center for British Art, Connecticut | 157.5 x 233.7 | |
![]() | The Wreck of a Transport Ship | 1810 | Calouste Gulbenkian Museum, Lisbon | 173 x 245 | [7] |
1819–1835 Extensive wanderer
Image | Title | Year | Location | Dimensions (cm.) | Comments |
---|---|---|---|---|---|
![]() | Richmond Hill with Girls Carrying Corn | 1819 | Tate Britain, London | 48 x 239.3 | |
![]() | Entrance of the Meuse: Orange-Merchant on the Bar, Going to Pieces; Brill Church bearing S. E. by S., Masensluys E. by S. | 1819 | Tate Britain, London | 175.3 x 246.4 | |
![]() | England: Richmond Hill, on the Prince Regent's Birthday | 1819 | Tate Britain, London | 180 x 334.6 | |
![]() | The Rialto, Venice | 1820 | Tate Britain, London | 177.5 x 335.3 | |
![]() | Tynemouth Priory | 1820-1825 | Tate Britain, London | 31.8 x 61 | |
![]() | Rome from the Vatican | 1820 | Tate Britain, London | 177.2 x 335.3 | |
![]() | George IV at St Giles's, Edinburgh | 1822 | Tate Britain, London | 74.6 x 91.8 | |
![]() | George IV at the Provost's Banquet in the Parliament House, Edinburgh | 1822 | Tate Britain, London | 68.6 x 91.8 | |
![]() | George IV's Departure from the 'Royal George', 1822 | 1822 | Tate Britain, London | 75.2 x 92.1 | |
![]() | An Avenue of Trees | 1822 | Tate Britain, London | 49.5 x 53.7 | |
![]() | The Battle of Trafalgar, 21 October 1805 | 1822-1824 | The National Maritime Museum, London | 261.5 x 368.5 | |
![]() | The Bay of Baiae, with Apollo and the Sibyl | 1823 | Tate Britain, London | 145.4 x 237.5 | |
![]() | First Sketch for 'The Battle of Trafalgar' | 1823 | Tate Britain, London | 90.2 x 121.3 | |
![]() | Second Sketch for 'The Battle of Trafalgar' | 1823 | Tate Britain, London | 90.2 x 121.3 | |
![]() | Landscape: Christ and the Woman of Samaria | 1825 | Tate Britain, London | 147.3 x 238.8 | |
![]() | The Cobbler's Home | 1825 | Tate Britain, London | 59.7 x 80 | |
![]() | Valley with a Distant Bridge and Tower | 1825 | Tate Britain, London | 91.1 x 122.2 | |
![]() | Lake or River with Trees on the Right | 1825-1830 | Tate Britain, London | 41.3 x 59.7 | |
![]() | Death on a Pale Horse (?) | 1825-1830 | Tate Britain, London | 59.7 x 75.6 | |
![]() | Shipping | 1825-1830 | Tate Britain, London | 67.9 x 91.8 | |
![]() | Rocky Coast | 1825-1830 | Tate Britain, London | 50.2 x 65.7 | |
![]() | Seascape with a Sailing Boat and a Ship | 1825-1830 | Tate Britain, London | 46.7 x 61 | |
![]() | A Sandy Beach | 1825-1830 | Tate Britain, London | 60 x 91.4 | |
![]() | Italian Landscape with a Tower | 1825-1830 | Tate Britain, London | 58.4 x 76.2 | |
![]() | Seascape with a Yacht (?) | 1825-1830 | Tate Britain, London | 50.2 x 66 | |
![]() | Two Compositions: A Claudian Seaport and an Open Landscape | 1825-1830 | Tate Britain, London | 33.7 x 60.3 | |
![]() | Forum Romanum, for Mr Soane's Museum | 1826 | Tate Britain, London | 145.7 x 236.3 | |
![]() | Harbor of Dieppe: Changement de Domicile | 1826 | Frick Collection, New York City | 173.7 x 225.4 | |
![]() | Cologne, the Arrival of a Packet-Boat: Evening | 1826 | Frick Collection, New York City | 168.6 x 224.2 | |
![]() | Mortlake Terrace: Early Summer Morning | 1826 | Frick Collection, New York City | 93 x 123.2 | |
![]() | View from the Terrace of a Villa at Niton, Isle of Wight, from Sketches by a Lady | 1826 | Museum of Fine Arts, Boston | 45.7 x 61 | |
![]() | Port Ruysdael | 1826-27 | Yale Center for British Art, Connecticut | 92.1 x 122.6 | |
![]() | The Harbour of Brest: The Quayside and Château | 1826-1828 | Tate Britain, London | 172.7 x 223.5 | |
![]() | Dieppe: The Port from the Quai Henri IV | 1827-28 | Tate Britain, London | 60.3 x 89.2 | |
![]() | Between Decks | 1827 | Tate Britain, London | 30.5 x 48.6 | |
![]() | Sketch for 'East Cowes Castle, the Regatta Beating to Windward' No. 1 | 1827 | Tate Britain, London | 29.8 x 48.9 | |
![]() | Sketch for 'East Cowes Castle, the Regatta Beating to Windward' No. 2 | 1827 | Tate Britain, London | 45.7 x 61 | |
![]() | Sketch for 'East Cowes Castle, the Regatta Beating to Windward' No 3 | 1827 | Tate Britain, London | 46.4 x 72.4 | |
![]() | A Sail Boat at Rouen | 1827-28 | Tate Britain, London | 60.3 x 90.8 | |
![]() | Brighton Beach, with the Chain Pier in the Distance, from the West | 1827 | Tate Britain, London | 90.2 x 121.9 | |
![]() | 'Now for the Painter' (Rope) – Passengers Going on Board | 1827 | Manchester Art Gallery, Manchester | 174.3 x 223.5 | |
![]() | Sketch for 'East Cowes Castle, the Regatta Starting for Their Moorings' No. 1 | 1827 | Tate Britain, London | 46.4 x 61.6 | |
![]() | Sketch for 'East Cowes Castle, the Regatta Starting for Their Moorings' No. 2 | 1827 | Tate Britain, London | 44.5 x 73.7 | |
![]() | Sketch for 'East Cowes Castle, the Regatta Starting for Their Moorings' No. 3 | 1827 | Tate Britain, London | 45.1 x 61 | |
![]() | Shipping off East Cowes Headland | 1827 | Tate Britain, London | 46 x 60.3 | |
![]() | Study of Sea and Sky, Isle of Wight | 1827 | Tate Britain, London | 32.1 x 50.2 | |
![]() | East Cowes Castle | 1827-28 | Victoria and Albert Museum, London | 91.4 x 123.2 | |
![]() | Rouen: A View from the Left Bank in the Faubourg St-Sever | 1827-28 | Tate Britain, London | 60.3 x 98.7 | |
![]() | Three Seascapes | 1827 | Tate Britain, London | 90.8 x 60.3 | |
![]() | Mortlake Terrace | 1827 | National Gallery of Art, Washington, D.C. | 92.1 x 122.2 | |
![]() | Rocky Bay | 1827-28 | Tate Britain, London | 60.3 x 92.1 | |
![]() | Rouen: The Left Bank, with Shipping Beyond | 1827-28 | Tate Britain, London | 60 x 84.8 | |
![]() | Italian Bay | 1827-28 | Tate Britain, London | 60.3 x 102.2 | |
![]() | Landscape with Tower, Trees and Figures; possibly Arcueil near Paris | 1827-28 | Tate Britain, London | 60 x 88.6 | |
![]() | Classical Harbour Scene; possibly based on Le Havre | 1827-28 | Tate Britain, London | 60.3 x 101.9 | |
![]() | Tivoli, the Cascatelle | 1827-28 | Tate Britain, London | 60.7 x 77.7 | |
![]() | The Lake, Petworth, Sunset; Sample Study | 1827-28 | Tate Britain, London | 63.5 x 139.7 | |
![]() | Italian Landscape with Bridge and Tower | 1827-28 | Tate Britain, London | 60.3 x 98.1 | |
![]() | The Lake, Petworth, Sunrise | 1827-28 | Tate Britain, London | 64.8 x 125.7 | |
![]() | Rocky Bay with Figures | 1827-28 | Tate Britain, London | 90.2 x 123.2 | |
![]() | Archway with Trees by the Sea; Sketch for 'The Parting of Hero and Leander' | 1827-28 | Tate Britain, London | 59.4 x 87 | |
![]() | Lake Nemi | 1827-28 | Tate Britain, London | 60.3 x 99.7 | |
![]() | Claudian Harbour Scene: Study for 'Dido Directing the Equipment of the Fleet' | 1827-28 | Tate Britain, London | 60 x 93.7 | |
![]() | Overlooking the Coast, with Classical Building | 1827-28 | Tate Britain, London | 60.3 x 84.5 | |
![]() | A Ship Aground, Yarmouth; Sample Study | 1827-28 | Tate Britain, London | 69.8 x 135.9 | |
![]() | Claudian Composition, possibly Arcueil at Dawn (formerly titled 'Ariccia (?): Sunset') | 1827-28 | Tate Britain, London | 60.6 x 79.4 | |
![]() | Sketch for 'Ulysses Deriding Polyphemus' | 1827-28 | Tate Britain, London | 60 x 89.2 | |
![]() | The Chain Pier, Brighton | 1828 | Tate Britain, London | 71.1 x 136.5 | |
![]() | Petworth Park: Tillington Church in the Distance | 1828 | Tate Britain, London | 60 x 145.7 | |
![]() | Chichester Canal | 1828 | Tate Britain, London | 65.4 x 134.6 | |
![]() | The Rest on the Flight into Egypt | 1828 | Tate Britain, London | 150.5 x 111.8 | |
![]() | The Procuress; (?) Judith with the Head of Holofernes | 1828 | Tate Britain, London | 124.1 x 91.4 | |
![]() | Coast Scene near Naples | 1828 | Tate Britain, London | 41 x 59.7 | |
![]() | Hilly Landscape with Tower | 1828 | Tate Britain, London | 42.2 x 52.4 | |
![]() | Reclining Venus | 1828 | Tate Britain, London | 75.3 x 248.9 | |
![]() | Seacoast with Ruin, probably the Bay of Baiae | 1828 | Tate Britain, London | 41.3 x 60.3 | |
![]() | Regulus | 1828 | Tate Britain, London | 89.5 x 123.8 | |
![]() | Palestrina - Composition | 1828 | Tate Britain, London | 140.3 x 248.9 | Exhibited in 1830. Set to hang beside a landscape by Claude Lorrain in Egremont's his collection. |
![]() | Boccaccio Relating the Tale of the Bird-Cage | 1828 | Tate Britain, London | 121.9 x 89.9 | |
![]() | Hill Town on the Edge of the Campagna | 1828 | Tate Britain, London | 41 x 59.4 | |
![]() | A Seashore | 1828 | Tate Britain, London | 41.6 x 52.1 | |
![]() | Seascape with Burning Hulk | 1828 | Tate Britain, London | 24.1 x 41.6 | |
![]() | Vision of Medea | 1828 | Tate Britain, London | 173.7 x 248.9 | |
![]() | Seascape | 1828 | Tate Britain, London | 41.9 x 52.1 | |
![]() | Landscape with a Tree on the Right | 1828 | Tate Britain, London | 27.9 x 41.6 | |
![]() | Outline of a Venus Pudica | 1828 | Tate Britain, London | 135.6 x 98.1 | |
![]() | Italian Landscape, probably Civita di Bagnoregio | 1828 | Tate Britain, London | 149.9 x 249.6 | |
![]() | Landscape with Trees and a Castle | 1828 | Tate Britain, London | 41.6 x 60 | |
![]() | Southern Landscape with an Aqueduct and Waterfall | 1828 | Tate Britain, London | 50.2 x 249.2 | |
![]() | Southern Landscape | 1828 | Tate Britain, London | 176.5 x 251.8 | |
![]() | View of Orvieto | 1828 | Tate Britain, London | 91.4 x 123.2 | Painted in Rome |
![]() | Mountainous Landscape | 1828 | Tate Britain, London | 41.3 x 59.7 | |
![]() | Two Recumbent Nude Figures | 1828 | Tate Britain, London | 174.6 x 249.2 | |
![]() | Chichester Canal | 1829 | Tate Britain, London | 63.5 x 132 | |
![]() | The Lake, Petworth: Sunset, a Stag Drinking | 1829 | Tate Britain, London | 63.5 x 132 | |
![]() | The Lake, Petworth: Sunset, Fighting Bucks | 1829 | Tate Britain, London | 62 x 146 | |
![]() | Brighton from the Sea | 1829 | Tate Britain, London | 63.5 x 132 | |
![]() | The Loretto Necklace | 1829 | Tate Britain, London | 130.8 x 174.9 | |
![]() | Ulysses deriding Polyphemus- Homer's Odyssey | 1829 | National Gallery, London | 132.5 x 203 | |
![]() | Pilate Washing his Hands | 1830 | Tate Britain, London | 91.4 x 121.9 | |
![]() | A Lady in a Van Dyck Costume | 1830-1835 | Tate Britain, London | 121.3 x 91.1 | |
![]() | Dinner in a Great Room with Figures in Costume | 1830-1835 | Tate Britain, London | 90.8 x 121.9 | |
![]() | The Evening Star | 1830 | National Gallery, London | 91.1 x 122.6 | |
![]() | Funeral of Sir Thomas Lawrence | 1830 | The Tate, London | ||
![]() | Scene in a Church or Vaulted Hall | 1830 | The Tate, London | 74.9 x 99.1 | |
![]() | Sunset | 1830-1835 | The Tate, London | 66.7 x 81.9 | |
![]() | The Thames above Waterloo Bridge | 1830-1835 | The Tate, London | 90.5 x 121 | |
![]() | Figures in a Building | 1830-1835 | The Tate, London | 91.4 x 121.9 | |
![]() | Interior of a Great House: The Drawing Room, East Cowes Castle | 1830 | The Tate, London | 90.8 x 121.9 | |
![]() | The Vision of Jacob's Ladder (?) | 1830 | The Tate, London | 123.2 x 188 | |
![]() | Two Women with a Letter | 1830 | The Tate, London | 121.9 x 91.4 | |
![]() | Jessica | 1830 | The Tate, London | 122 x 91.5 | |
![]() | Calais Sands at Low Water: Poissards Collecting Bait | 1830 | Bury Art Museum | 68.5 x 105.5 | |
![]() | Lifeboat and Manby Apparatus Going off to a Stranded Vessel Making the Signal (Blue Lights) of Distress | 1831 | Victoria & Albert Museum, London | 91.4 x 122 | |
![]() | Extensive Landscape with River or Estuary and a Distant Mountain | 1830-1840 | The Tate, London | 141 x 251.5 | |
![]() | Staffa, Fingal's Cave | 1831-32 | Yale Center for British Art, Connecticut | 90.8 x 121.3 | |
![]() | Lucy, Countess of Carlisle, and Dorothy Percy's Visit to their Father Lord Percy, when under Attainder ... | 1831 | The Tate, London | 40 x 69.2 | |
![]() | Watteau Study by Fresnoy's Rules | 1831 | The Tate, London | 40 x 69.2 | |
![]() | Caligula's Palace and Bridge | 1831 | The Tate, London | 137.2 x 246.4 | The work was exhibited in Melbourne Australia by December 1882, but unable to be sold at £4000.[8] It was then being listed for sale in September 1884 from Gladstone Eyre's Sydney studio.[9] |
![]() | Van Tromp's Barge Entering the Texel, 1645 | 1831 | Sir John Soane's Museum, London | 90.2 x 121.9 | |
![]() | Christ Driving the Traders from the Temple | 1832 | The Tate, London | 92.1 x 70.5 | |
![]() | Shrimpers: Lyme Regis | 1832 | Nunnington Hall | 21.5 x 29 | |
![]() | The Prince of Orange, William III, Embarked from Holland, and Landed at Torbay, November 4th, 1688, after a Stormy Passage | 1832 | The Tate, London | 90.2 x 120 | |
![]() | Shadrach, Meshach and Abednego in the Burning Fiery Furnace | 1832 | The Tate, London | 91.8 x 70.8 | |
![]() | Childe Harold's Pilgrimage - Italy | 1832 | The Tate, London | 142.2 x 248.3 | |
![]() | Van Tromp Returning after the Battle off the Dogger Bank | 1833 | The Tate, London | 90.5 x 120.6 | |
![]() | Rotterdam Ferry-Boat | 1833 | National Gallery of Art, Washington, D.C. | 92.3 x 122.5 | |
![]() | Antwerp: Van Goyen Looking Out for a Subject | 1833 | Frick Collection, New York City | 91.8 x 122.9 | |
![]() | Wreckers – Coast of Northumberland, with a Steamboat Assisting a Ship off Shore | 1833-34 | Yale Center for British Art, Connecticut | 90.5 x 120.8 | |
![]() | Bridge of Sighs, Ducal Palace and Custom-House, Venice: Canaletti Painting | 1833 | Tate Britain, London | 51.1 x 81.6 | |
![]() | Venice: The Dogana and San Giorgio Maggiore, 1834 | 1834 | National Gallery of Art, Washington, D.C. | 91.5 x 122 | |
![]() | The Fountain of Indolence | 1834 | Beaverbrook Art Gallery, Fredericton | 106.5 × 166.4 | |
![]() | The Golden Bough | 1834 | Tate Britain, London | 104.1 x 163.8 | |
![]() | St Michael's Mount, Cornwall | 1834 | Victoria and Albert Museum, London | 61 x 77.4 | |
![]() | The Burning of the Houses of Lords and Commons, 16th October, 1834 | 1834-1835 | Philadelphia Museum of Art, Philadelphia | 92 x 123.1 | |
![]() | The Burning of the Houses of Lords and Commons, 16th October, 1834 | 1834-1835 | Cleveland Museum of Art, Cleveland | 92 x 123 | |
![]() | The Long Cellar at Petworth | 1835 | Tate Britain, London | 74.9 x 91.4 | |
![]() | The Arch of Constantine, Rome | 1835 | Tate Britain, London | 91.4 x 121.9 | |
![]() | Rome, From Mount Aventine | 1835 | Private Collection | 92 × 125 | |
![]() | Keelmen Heaving in Coals by Moonlight | 1835 | National Gallery of Art, Washington, D.C. | 92.3 x 122.8 | |
![]() | A Sailing Boat off Deal | 1835 | National Museum Wales, Cardiff | 22.6 x 30.3 | |
![]() | Line Fishing, off Hastings | 1835 | Victoria and Albert Museum, London | 58.4 x 76.2 | |
![]() | The Cave of Despair | 1835 | Tate Britain, London | 50.8 x 81.3 | |
![]() | Music Party, East Cowes Castle | 1835 | Tate Britain, London | 121.3 x 90.5 | |
![]() | Tivoli: Tobias and the Angel | 1835 | Tate Britain, London | 90.5 x 121 | |
![]() | A Disaster at Sea | 1835 | Tate Britain, London | 171.4 x 220.3 | |
![]() | Venice, from the Porch of Madonna della Salute | c. 1835 | Metropolitan Museum of Art, New York City | 91.4 × 122.2 | |
![]() | Venice, the Piazzetta with the Ceremony of the Doge Marrying the Sea | 1835 | Tate Britain, London | 91.4 x 121.9 | |
![]() | Stormy Sea with Blazing Wreck | 1835-1840 | Tate Britain, London | 99.4 x 141.6 | |
![]() | Stormy Sea with Dolphins | 1835-1840 | Tate Britain, London | 90.2 x 121.3 | |
![]() | Margate Harbour | 1835-1845 | Sudley House, Liverpool | 45.9 x 61.1 | |
![]() | The Morning after the Wreck | 1835-1845 | National Museum Wales, Cardiff | 38.7 x 61.8 | |
![]() | Breakers on a Flat Beach | 1835–1840 | Tate Britain, London | 90.2 x 121 | |
![]() | Seascape | 1835–1840 | Tate Britain, London | 90.2 x 121 | |
![]() | The Beacon Light | 1835-1845 | National Museum Wales, Cardiff | 61.5 x 96 | |
![]() | Head of a Person Asleep | 1835 | Tate Britain, London | 24.4 x 30.2 | |
![]() | Quillebeuf, Mouth of the Seine | 1833 | Calouste Gulbenkian Museum, Lisbon | 88 x 120 | [10] |
1836–1851 Modernism
Image | Title | Year | Location | Dimensions (cm.) | Comments |
---|---|---|---|---|---|
![]() | Margate (?), from the Sea | 1835-1840 | National Gallery, London | 91.2 x 122.2 | |
Valley of Aosta: Snowstorm, Avalanche, and Thunderstorm | 1836-37 | Art Institute of Chicago, Chicago | 92.2 × 123 | ||
![]() | The Parting of Hero and Leander - from the Greek of Musaeus | pre1837 | National Gallery, London | 146 x 236 | |
![]() | The Death of Actaeon, with a Distant View of Montjovet, Val d'Aosta | 1837 | Tate Britain, London | 149.2 x 111.1 | |
![]() | Story of Apollo and Daphne | 1837 | Tate Britain, London | 109.9 x 198.8 | |
![]() | The Grand Canal: Scene - a Street in Venice | c.1837 | Huntington Library, San Marino, California | 150.5 x 112.4 | |
![]() | Fishing Boats with Hucksters Bargaining for Fish | 1837-38 | Art Institute of Chicago, Chicago | 174.5 × 224.9 | |
![]() | Steamer and Lightship; a study for 'The Fighting Temeraire' | 1838-39 | Tate Britain, London | 91.4 x 119.7 | |
![]() | Modern Italy: The Pifferari | 1838 | Kelvingrove Art Gallery and Museum, Glasgow | 92.6 x 123.2 | |
![]() | Phryne Going to the Public Baths as Venus: Demosthenes Taunted by Aeschines | 1838 | Tate Britain, London | 193 x 165.1 | |
![]() | The Fighting Temeraire | 1839 | National Gallery, London | 90.7 x 121.6 | |
![]() | Ancient Rome; Agrippina Landing with the Ashes of Germanicus | 1839 | Tate Britain, London | 91.4 x 121.9 | |
![]() | Modern Rome – Campo Vaccino | 1839 | J. Paul Getty Museum, Los Angeles | 90.2 × 122 | |
![]() | Margate Jetty | 1840 | National Museum Wales, Cardiff | 47 x 37 | |
![]() | Waves Breaking against the Wind | 1840 | Tate Britain, London | 60.4 x 95 | |
![]() | Waves Breaking on a Lee Shore at Margate (Study for 'Rockets and Blue Lights') | 1840 | Tate Britain, London | 59.7 x 95.2 | |
![]() | The Slave Ship | 1840 | Museum of Fine Arts, Boston | 91 × 123 | |
![]() | Seascape with Distant Coast | 1840 | Tate Britain, London | 91.4 x 121.9 | |
![]() | Seascape with Buoy | 1840 | Tate Britain, London | 91.4 x 121.9 | |
![]() | Bacchus and Ariadne | 1840 | Tate Britain, London | 78.7 x 78.7 | |
![]() | The New Moon; or, 'I've lost My Boat, You shan't have Your Hoop' | 1840 | Tate Britain, London | 5.4 x 81.3 | |
![]() | Neapolitan Fisher-girls Surprised Bathing by Moonlight | c.1840 | Huntington Library, San Marino, California | 65.7 x 81 | |
![]() | Venice, from the Giudecca | 1840 | Victoria & Albert Museum, London | 61 x 91.4 | |
![]() | Venice, the Bridge of Sighs | 1840 | Tate Britain, London | ||
![]() | Seascape with Storm Coming On | 1840 | Tate Britain, London | ||
![]() | Sun Setting over a Lake | 1840 | Tate Britain, London | ||
![]() | Giudecca, La Donna della Salute and San Giorgio | 1841 | Private Collection | 61 x 91.5 | |
![]() | Schloss Rosenau, Bavaria, Seat of HRH Prince Albert of Coburg | 1841 | Sudley House, Liverpool | ||
![]() | Dawn of Christianity (Flight into Egypt) | 1841 | Ulster Museum, Belfast | 79 x 79 | |
![]() | Peace - Burial at Sea | 1842 | Tate Britain, London | 87 x 86.7 | |
![]() | The Dogano, San Giorgio, Citella, from the Steps of the Europa | 1842 | Tate Britain, London | 61.6 x 92.7 | |
![]() | War. The Exile and the Rock Limpet | 1842 | Tate Britain, London | 79.4 x 79.4 | |
![]() | Snow Storm: Steam-Boat off a Harbour's Mouth | 1842 | Tate Britain, London | 91.4 x 121.9 | |
![]() | The Opening of the Wallhalla, 1842 | 1843 | Tate Britain, London | 112.7 x 200.7 | |
![]() | Shade and Darkness - the Evening of the Deluge | 1843 | Tate Britain, London | 78.7 x 78.1 | |
![]() | St Benedetto, Looking towards Fusina | 1843 | Tate Britain, London | 62.2 x 92.7 | |
![]() | The Sun of Venice Going to Sea | 1843 | Tate Britain, London | 61.6 x 92.1 | |
![]() | Light and Colour (Goethe's Theory) – The Morning after the Deluge – Moses Writing the Book of Genesis | 1843 | Tate Britain, London | 78.7 x W 78.7 | |
![]() | The Evening of the Deluge | c. 1843 | National Gallery of Art, Washington, D.C. | 76 x 76 | |
![]() | Lake Lucerne: the Bay of Uri from above Brunnen | 1844 | Tate Britain, London | 72.7 x 98.3 | |
![]() | Heidelberg | 1844-5 | Tate Britain, London | 132.1 x 201.9 | |
![]() | Sunset From the Top of the Rigi | 1844 | Tate Britain, London | 71.1 x 96.5 | |
![]() | Off the Nore | 1840-1845 | Yale Center for British Art, Connecticut | 30.5 x 45.7 | |
![]() | A River Seen from a Hill | 1840-1845 | Tate Britain, London | 78.7 x 79.4 | |
![]() | Landscape with Water | 1840-1845 | Tate Britain, London | 121.9 x 182.2 | |
![]() | The Arrival of Louis-Philippe at Portsmouth, 8 October 1844 | 1844-45 | Tate Britain, London | 90.8 x 121.3 | |
![]() | The Disembarkation of Louis-Philippe at Portsmouth, 8 October 1844 | 1844-45 | Tate Britain, London | 90.2 x 120.6 | |
![]() | Rough Sea with Wreckage | 1840-1845 | Tate Britain, London | 92.1 x 122.6 | |
![]() | Yacht Approaching the Coast | 1840-1845 | Tate Britain, London | 102.2 x 142.2 | |
![]() | Venetian Scene | 1840-1845 | Tate Britain, London | 79.4 x 78.7 | |
![]() | Sunrise, with a Boat between Headlands | 1840-1845 | Tate Britain, London | 91.4 x 121.9 | |
![]() | Landscape | 1840-1845 | Walker Art Gallery, Liverpool | 92 x 122. | |
![]() | The Ponte Delle Torri, Spoleto | 1840-1845 | Tate Britain, London | 91.4 x 121.9 | |
![]() | Venice with the Salute | 1840-1845 | Tate Britain, London | 62.2 x 92.7 | |
![]() | A Wreck, with Fishing Boats | 1840-1845 | Tate Britain, London | 91.4 x 122.2 | |
![]() | Sunrise, a Castle on a Bay: 'Solitude' | 1840-1845 | Tate Britain, London | 90.8 x 121.9 | |
![]() | The Storm | 1840-1845 | National Museum Wales, Cardiff | 54.6 x 77 | |
![]() | The Morning after the Storm | 1840-1845 | National Museum Wales, Cardiff | 32.6 x 54.4 | |
![]() | Scene in Venice | 1840-1845 | Tate Britain, London | 62.2 x 92.7 | |
![]() | Rough Sea | 1840-1845 | Tate Britain, London | 91.4 x 121.9 | |
![]() | Stormy Sea Breaking on a Shore | 1840-1845 | Yale Centre for British Art, Connecticut | 44.5 x 63.5 | |
![]() | Venice Quay, Ducal Palace | 1844 | Tate Britain, London | 62.2 x 92.7 | |
![]() | Approach to Venice | 1844 | National Gallery of Art, Washington, D.C. | 62 x 94 | |
![]() | Rain, Steam and Speed – The Great Western Railway | 1844 | The National Gallery, London | 91 x 121.8 | |
![]() | Venice - Maria della Salute | 1844 | Tate Britain, London | 61.3 x 92.1 | |
![]() | Fishing Boats Bringing a Disabled Ship into Port Ruysdael | 1844 | Tate Britain, London | 91.4 x 123.2 | |
![]() | Whalers | 1845 | Tate Britain, London | 91.1 x 121.9 | |
![]() | Venice - Sunset, a Fisher | 1845 | Tate Britain, London | 61.3 x 92.1 | |
![]() | Venice - Noon | 1845 | Tate Britain, London | 61 x W 91.8 | |
![]() | Venetian Festival | 1845 | Tate Britain, London | 72.4 x 113.3 | |
![]() | Inverary Pier, Loch Fyne: Morning | 1845 | Yale Center for British Art, Connecticut | 91.4 x 121.9 | |
![]() | The Falls of the Clyde | 1845 | Lady Lever Art Gallery, Wirral | 89 x 119.5 | |
![]() | Falls of Schaffhausen (Val d’Aosta) | 1845 | National Gallery of Victoria, Melbourne | 91.5 × 122.0 | |
![]() | Sunrise with Sea Monsters | 1845 | Tate Britain, London | 91.4 x 121.9 | |
![]() | Riva degli Schiavone, Venice: Water Fête | 1845 | Tate Britain, London | 72.4 x 113 | |
![]() | Norham Castle, Sunrise | 1845 | Tate Britain, London | 90.8 x 121.9 | |
![]() | Whalers | c. 1845 | Metropolitan Museum of Art, New York City | 91.8 × 122.6 | |
![]() | 'Hurrah! for the Whaler Erebus! Another Fish!' | 1846 | Tate Britain, London | 90.2 x 120.6 | |
![]() | Going to the Ball (San Martino) | 1846 | Tate Britain, London | 61.6 x 92.4 | |
![]() | Queen Mab's Cave | 1846 | Tate Britain, London | 92.1 x 122.6 | |
![]() | The Angel Standing in the Sun | 1846 | Tate Britain, London | 78.7 x 78.7 | |
![]() | Undine Giving the Ring to Massaniello, Fisherman of Naples | 1846 | Tate Britain, London | 79.1 x 79.1 | |
![]() | Returning from the Ball (St Martha) | 1846 | Tate Britain, London | 61.6 x 92.4 | |
![]() | Whalers (Boiling Blubber) Entangled in Flaw Ice, Endeavouring to Extricate Themselves | 1846 | Tate Britain, London | 89.9 x 120 | |
![]() | The Wreck Buoy | 1849 | Sudley House, Liverpool | 92.7 x 123.2 | |
![]() | Mercury Sent to Admonish Aeneas | 1850 | Tate Britain, London | 90.2 x 120.6 | |
![]() | The Visit to the Tomb | 1850 | Tate Britain, London | 91.4 x 121.9 | |
![]() | The Departure of the Fleet | 1850 | Tate Britain, London | 89.9 x 120.3 |
References
- ^ "J.M.W. Turner | Biography, Paintings, & Facts". Encyclopedia Britannica. Archived from the original on 30 January 2010. Retrieved 17 January 2021.
- ^ "Joseph Mallord William Turner (1775 - 1851) | National Gallery, London". www.nationalgallery.org.uk. Archived from the original on 19 January 2021. Retrieved 17 January 2021.
- ^ "The Tate". Tate Gallery. Archived from the original on 5 December 2020.
- ^ "Beech Trees at Norbury Park, Leatherhead, Surrey". National Gallery of Ireland. Archived from the original on 25 April 2021. Retrieved 25 April 2021.
- ^ Dunne, Aidan (28 December 2019). "Art in Focus – Beech Trees at Norbury Park by JMW Turner (1775-1851)". The Irish Times. Dublin. Archived from the original on 31 March 2021. Retrieved 25 April 2021.
- ^ a b c d "Art UK | Discover Artworks". artuk.org. Archived from the original on 27 January 2021. Retrieved 18 January 2021.
- ^ https://gulbenkian.pt/museu/en/works_museu/the-wreck-of-a-transport-ship/
- ^ "Colonial news". The Tasmanian. Vol. XI, no. 49. Tasmania, Australia. 9 December 1882. p. 1362. Retrieved 2 October 2021 – via National Library of Australia.
- ^ "Advertising". The Sydney Morning Herald. No. 14, 487. New South Wales, Australia. 1 September 1884. p. 2. Retrieved 2 October 2021 – via National Library of Australia.
- ^ https://gulbenkian.pt/museu/en/works_museu/quillebeuf-mouth-of-the-seine/
- v
- t
- e
- Interior of a Romanesque Church (c. 1795–1800)
- Landscape with Windmill and Rainbow (c. 1795–1800)
- Diana and Callisto (c. 1796)
- Fishermen at Sea (1796)
- Interior of a Gothic Church (c. 1797)
- Limekiln at Coalbrookdale (c. 1797)
- Moonlight, a Study at Millbank (1797)
- Aeneas and the Sibyl, Lake Avernus (c. 1798)
- Buttermere Lake, with Part of Cromackwater, Cumberland, a Shower (1798)
- Caernarvon Castle (c. 1798)
- Morning amongst the Coniston Fells, Cumberland (1798)
- Shipping by a Breakwater (1798)
- Tivoli and the Roman Campagna (c. 1798)
- View of a Town (c. 1798)
- Dolbadarn Castle (1798–1799)
- Self-Portrait (c. 1799)
- View in Wales: Mountain Scene with Village and Castle – Evening (c. 1799–1800)
- Welsh Mountain Landscape (c. 1799–1800)
- A Beech Wood with Gypsies round a Campfire (c. 1800)
- A Beech Wood with Gypsies Seated in the Distance (c. 1800)
- Landscape with Lake and Fallen Tree (c. 1800)
- View on Clapham Common (c. 1800–1805)
- The Shipwreck (1805)
- London from Greenwich Park (1809)
- The Fifth Plague of Egypt (1810)
- High Street, Oxford (1810)
- Snow Storm: Hannibal and his Army
Crossing the Alps (1812) - Dido building Carthage, or,
The Rise of the Carthaginian Empire (1815) - Dort or Dordrecht:
The Dort packet-boat from Rotterdam becalmed (1818) - The Field of Waterloo (1818)
- England: Richmond Hill, on the Prince Regent's Birthday (1819)
- Rome, from the Vatican (1820)
- The Battle of Trafalgar (1822)
- Port Ruysdael (1826)
- Chichester Canal (1828)
- Ulysses Deriding Polyphemus (1829)
- Funeral of Sir Thomas Lawrence (1830)
- Childe Harold's Pilgrimage - Italy (1832)
- The Fountain of Indolence (1834)
- The Golden Bough (1834)
- Venice: The Dogana and San Giorgio Maggiore (1834)
- The Burning of the Houses of Lords and Commons, 16th October, 1834 (1835)
- Rome, From Mount Aventine (1835)
- Venice, from the Porch of Madonna della Salute (c. 1835)
- The Fighting Temeraire Tugged to Her Last Berth
to Be Broken up (1838) - Modern Rome – Campo Vaccino (1839)
- Slave Ship
(Slavers Throwing Overboard the Dead and Dying, (1840)Typhoon Coming On) - Snow Storm: Steam-Boat off a Harbour's Mouth (1842)
- The Blue Rigi (1842)
- The Red Rigi (1842)
- Peace – Burial at Sea (1842)
- War. The Exile and the Rock Limpet (1842)
- Light and Colour (Goethe's Theory) –
The Morning after the Deluge – (1843)Moses Writing the Book of Genesis - Rain, Steam and Speed – The Great Western Railway (1844)
- Sunrise with Sea Monsters (1845)
- Norham Castle, Sunrise (c. 1845)
- Whalers (c. 1845)
- The Beacon Light (unknown)
- Liber Studiorum (1807–1819)
- The Painter (2011 play)
- Mr. Turner (2014 film)
- Thomas Price Turner
- Turner Prize
- Turner Contemporary
Category