Oscar Roty

French medalist

You can help expand this article with text translated from the corresponding article in French. (December 2010) Click [show] for important translation instructions.

View a machine-translated version of the French article.
Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing French Wikipedia article at [[:fr:Oscar Roty]]; see its history for attribution.
You may also add the template {{Translated|fr|Oscar Roty}} to the talk page.
For more guidance, see Wikipedia:Translation.

Oscar Roty
Photograph c.1900
Born	Louis-Oscar Roty 11 June 1846 Paris
Died	March 23, 1911(1911-03-23) (aged 64) Paris
Nationality	French

Louis-Oscar Roty usually known as Oscar Roty (11 June 1846 – 23 March 1911) was one of the most celebrated^[1] medallists of the Art Nouveau period.

Biography

Louis-Oscar Roty was born on 11 June 1846 in Paris. He first studied painting and sculpture, working under Lecoq de Boisbaudran, Augustin-Alexandre Dumont and Hubert Ponscarme, his mentor, was largely responsible for the renewal of medallic art at the end of the nineteenth century. In 1867 he had abandoned the medal rim in his design for his medal of Naudet, the background and graphics becoming part of the sculpture. Roty, along with Champlain, Alexandre Charpentier, and others, influenced by the Art Nouveau movement, advanced this resurgence of art in medal design. Roty, in particular, introduced the Renaissance form of the plaquette, which further emphasized the significance of the medal as a work of art. He designed hundreds of art medals celebrated for their graceful designs.

Following some difficulties early in his career, in 1882 Roty won the second prize in the Prix de Rome. This success was followed by many others, including the Grand Prix de Rome in 1875 and the Grand Prix at the 1889 Exposition Universelle in Paris. He was appointed to the rank of Professor in the Académie des Beaux-Arts in 1888, and in 1897 became its president. In 1889 he became an Officer in the Legion of Honor and rose to Commander in 1900.^[2] At the height of his career, he was awarded the Medal of Honor at the Salon in 1905. In 1878 Oscar Roty married Marie Boulanger, daughter of the wrought iron craftsman Pierre Boulanger.

Besides a huge number of medals and plaquettes, Roty is well known as the designer of the “Semeuse” image on French silver coins and stamps. His medallic art can be found in nearly all European museums. A large number of his medals and plaquettes can be viewed in the Kunsthalle Hamburg and the Musée Oscar Roty in Jargeau, France.

Dr. George F. Kunz wrote about his contributions to the Medallic Arts.^[3]

Gallery

Lens Mining Company
Patria 25th anniversary of the French Third Republic
Sire John Pope Hennessy
Piercing of the isthmus of Panama
Pierre Boulanger
Medal of the Eastern Algeria Rail Transport
La Semeuse (the sower) on a French postage stamp of 1918
Charlotte Ragot, model from Oscar Roty for his La Semeuse

Notes

^ Jones, Mark (1979) The Art of the Medal, Chapter 14, British Museum Publications Limited
^ "Notice no. LH//2387/64". Base Léonore (in French).
^ Kunz, George F. “Louis Oscar Roty: His Life Work and His Influence on the Past and Future of Medallic Art.” American Numismatic Journal. Volume 45, pages 153-156. October 1911. Also: (In extended form) Ibid, volume 47, January 1912, pages 93-119, with 5 plates; Press abstract with the title “Roty who Made Medals” The Evening Post. May 20, 1911. “Delivered also before the American Numismatic Society.”