Should We Be Silent?
1926 film
- Heinrich Nebenzahl
- Richard Oswald
- Conrad Veidt
- Walter Rilla
- Henri De Vries
- Mary Parker
- Gustav Ucicky
- Eduard von Borsody
Production
company
company
Nero Film
Release date
- 6 April 1926 (1926-04-06)
Running time
- Silent
- German intertitles
Should We Be Silent? (German: Dürfen wir schweigen?) is a 1926 German silent drama film directed by Richard Oswald and starring Conrad Veidt, Walter Rilla and Henri De Vries. It was made at the Johannisthal Studios in Berlin. The film's art direction was by Heinrich Richter-Berlin [de]. The film exists only in fragmentary form.
Cast
- Conrad Veidt as Paul Hartwig, painter
- Walter Rilla as Dr. Georg Mauthner
- Henri De Vries as Henry Pierson, town councillor
- Mary Parker as Leonie Pierson, his daughter
- Elga Brink as assistant
- Frida Richard as old woman
- Fritz Kortner as announcing doctor
- John Gottowt as his factotum
- Maria Forescu as 1st patient
- Else Plessner as 2nd patient
- Betty Astor as Inge
- Ernő Verebes as Gerd
- Albert Paulig as waiter
References
Bibliography
- Soister, John T. & Battle, Pat Wilks. Conrad Veidt on Screen: A Comprehensive Illustrated Filmography. McFarland, 2002.
External links
- Should We Be Silent? at IMDb
- v
- t
- e
The films of Richard Oswald
- The Iron Cross (1914)
- Ivan Koschula (1914)
- The Silent Mill (1914)
- Laugh Bajazzo (1915)
- The Vice (1915)
- Tales of Hoffmann (1916)
- A Night of Horror (1916)
- The Uncanny House (1916)
- The Sea Battle (1917)
- The Lord of Hohenstein (1917)
- Let There Be Light (1917)
- The Picture of Dorian Gray (1917)
- The Story of Dida Ibsen (1918)
- Jettchen Gebert's Story (1918)
- Diary of a Lost Woman (1918)
- Henriette Jacoby (1918)
- The House of Three Girls (1918)
- Die Arche (1919)
- Different from the Others (1919)
- Prostitution (1919)
- Peer Gynt (1919)
- Around the World in Eighty Days (1919)
- Unheimliche Geschichten (1919)
- Figures of the Night (1920)
- Kurfürstendamm (1920)
- The Merry-Go-Round (1920)
- Manolescu's Memoirs (1920)
- Lady Hamilton (1921)
- The Golden Plague (1921)
- The House in Dragon Street (1921)
- The Love Affairs of Hector Dalmore (1921)
- Lucrezia Borgia (1922)
- Carlos and Elisabeth (1924)
- Semi-Silk (1925)
- The Wife of Forty Years (1925)
- Rags and Silk (1925)
- Should We Be Silent? (1926)
- When I Came Back (1926)
- We Belong to the Imperial-Royal Infantry Regiment (1926)
- The White Horse Inn (1926)
- Assassination (1927)
- Radio Magic (1927)
- Agitated Women (1927)
- The Transformation of Dr. Bessel (1927)
- Lützow's Wild Hunt (1927)
- A Crazy Night (1927)
- The Green Alley (1928)
- Villa Falconieri (1928)
- Spring Awakening (1929)
- The Mistress and her Servant (1929)
- Marriage in Trouble (1929)
- Cagliostro (1929)
- The Hound of the Baskervilles (1929)
- Dreyfus (1930)
- Vienna, City of Song (1930)
- Alraune (1930)
- The Tender Relatives (1930)
- 1914 (1931)
- Schubert's Dream of Spring (1931)
- Poor as a Church Mouse (1931)
- Victoria and Her Hussar (1931)
- The Captain from Köpenick (1931)
- Countess Mariza (1932)
- Unheimliche Geschichten (1932)
- The Flower of Hawaii (1933)
- A Song Goes Round the World (1933)
- Adventures on the Lido (1933)
- My Song Goes Round the World (1934)
- When You're Young, the World Belongs to You (1934)
- Bleeke Bet (1934)
- Storm over Asia (1938)
- Isle of Missing Men (1942)
- The Lovable Cheat (1949)
This 1920s drama film–related article is a stub. You can help Wikipedia by expanding it. |
- v
- t
- e
This article related to a German silent film is a stub. You can help Wikipedia by expanding it. |
- v
- t
- e